29th February 2016
His research interests concern the intersections between political and aesthetic theory, particularly the work of Lyotard, Deleuze, and Rancière and contemporary intermedial performance practice. He has recently published a monograph Post-cinematic Theatre and Performance (Palgrave Macmillan, 2014).
He is an active member of the Intermediality Working Group within the International Federation for Theatre Research (IFTR). He has also collaborated as composer and deviser with the UK based intermedial company Imitating the Dog and director Pete Brooks on a number of international projects.