29th February 2016
Her current research interests lie in questions of intermediality – in particular the relationship between film and its sibling arts and the adaptation of literature to the screen and stage –, the French New Wave and post-New Wave and the process of artistic creation. She is the author of Chantal Akerman (2010), Proust dans la décadence (2008), Proust at the Movies (2005, co-authored with Martine Beugnet) and Processes of Literary Creation: Flaubert and Proust (1998). In 2012 she curated a retrospective on Belgian director and video artist Chantal Akerman for the French Film Festival UK.