1st March 2016
His research revolves around conceptual and material innovations in and through graphic technologies and arts, including cinematography and photography, with particular emphasis on avant-guard practices. He is a visiting lecturer in Critical and Historical Studies at the Royal College of Art, London. Recent/current projects include guest editing a special issue of Art in Translation (8:1, Feb 2016) on ‘cinematographic art’, essays on Eadweard Muybridge, on Kurt Kren, on Werner Herzog, Georges Bataille and paleoart, and forthcoming work on Pierre Mac Orlan and animation. (rca.academia.edu/BarnabyDicker).
He is currently collaborating on an ‘intermedial’ film project with Thomas Goddard entitled The Farthest Point of Navigation…With An Idea at the Back of it